Episodes

Brian Eno’s 1979 LP ‘Music For Airports’ launched the genre of ‘Ambient Music’… an alternative to the dreadful ‘muzak’ inflicted on humans in most public spaces… music that reduced stress rather than added to it… music for contemplation that rewarded attention but did not require it. This episode takes that idea and rummages around classical music to see if there are works that might do the same… with thanks to Gavin Bryars, Erik Satie, Tomás Luis de Victoria, Phillip Glass, Richard Wagner, John...

Instances where composers have hidden something in their works… sometimes for the sheer ingeniousness of being able to do it… sometimes to send a secret message to someone… sometime to create a puzzle for generations to come… sometimes to create a tortured ambiguity of meaning. The music is from a pretty eclectic mix… Johann Sebastain Bach, Wolfgang Amadeus Mozart, Robert Schumann, Johannes Brahms, Alban Berg, Dmitri Shostakovich and Edward Elgar. Lots of Secrets. And here is a link to an ...

Can something of a survey of the music of Italy… including music of the city states, republics and kingdoms that became the nation of Italy in the late nineteenth century… be done in a little over an hour? Absolutely not. But what I have chosen does perhaps suggest a few themes that can be found in the music made on the Italian Peninsula over the last several centuries. Please enjoy… Giuseppe Verdi, Archangelo Corelli, Claudio Monteverdi, Ottorino Respighi, Carlo Gesualdo, Tomaso Albinoni, Giova...

From fairy tale romances to dark psychological dramas, discover how ballet music evolved while maintaining its essential power to match the poetry of human movement with unforgettable musical expression… what I’m calling grasping towards beauty. This episode explores three centuries of ballet music, from the elegant entertainments of Gluck through the Romantic masterpieces of Adam, Delibes, and Tchaikovsky, to the revolutionary modernism of Stravinsky and Prokofiev, and finally the diverse voice...

You could take almost any year of composer Wolfgang Amadeus Mozart’s life, probably from the age of fifteen onwards and be staggered by both the scale of his output… AND the quality… but his final year… 1791.. was a truly astonishing achievement… including his 27th piano concerto, his 6th string quintet, his clarinet concerto, two complete operas in wildly contrasting genres… ‘La Clemenza di Tito’ and ‘The Magic Flute’, and an unfinished Requiem Mass. And here is a link to an extended playlis...

There are composers who revel in depictions of the unseen… manifestations of the darker aspects of our imaginations… creatures from realms that four centuries of science just can’t seem to eradicate from our vulnerable psyches. Then there are the composers who just can’t help but enjoy mucking about with an old fairytale or making fun of our collective gullibility. And some do all at the same time. This week it is spooky music from Grieg, Mussorgsky, Schubert, Saint-Saens, Liszt, Shostakovich, M...

Even if you have listened to a fair bit of classical music I’m quietly confident you will not have heard a note of any of what I am going to play you in this episode… unless you happen to hail from or reside in that jewel of a nation… New Zealand / Aotearoa. Trust me, if you can overcome a nervousness about the unfamiliar… you are going to hear some remarkably good music… by composers Anthony Richie, Gillian Whitehead, Martin Lodge, Tabea Squire, John Psathas, Douglas Lilburn and Claire Cowan. ...

Ludwig van Beethoven arrived in Vienna in late 1792 as a 22-year-old from the town of Bonn to study with Josef Haydn who was at the time undeniably Europe's most celebrated living composer. Beethoven also quickly established himself in Viennese aristocratic circles, securing patronage from nobles who recognized his extraordinary talent both as a virtuoso pianist and as a composer of startling originality. This episode is a collection of music from Beethoven’s first decade in Vienna. And here ...

This episode starts in Paris in 1909 and ends up in Buenos Aires in 1994… and the music includes a healthy dose of the influence of jazz. If you have a small voice inside saying this is going to be a little more ‘modern’ and a little less ‘enjoyable’, I hope you’ll trust me to prove that voice wrong… or more particularly that you’ll trust Clause Debussy, Malcolm Arnold, Aaron Copland, Igor Stravinsky and Osvaldo Golijov. And here is a link to an extended playlist on Spotify with the full vers...

There’s no way around the fact that this entire corner of classical music is generally known by the term ‘chamber music’ but please don’t let that stop you from experiencing some incredible music… even if you find the term, as I do, just plain odd. This is music originally intended for smaller performance spaces… sometimes even just a dining room… and by virtue of that the connection between players and audience is more ‘intimate’. The music in the episode is by Phillip Glass, Ludwig van Beethov...

No other filmmaker has used classical music to better effect than the American director Stanley Kubrick (1928-1999). Whilst composers did score some of his films, Kubrick frequently used existing classical pieces… in particular for 2001: A Space Odyssey, Barry Lyndon & The Shining. Kubrick’s choices are fascinating and did a lot to get classical music to new audiences. And, besides, how else could I get Schubert, Handel, Ligeti, Penderecki and two Strausses into the one episode of Classical For ...

If you have hit play for this episode then that means you are in that part of the population who have not been entirely turned off Vivaldi by the overuse of his deservedly popular set of violin concertos… ‘The Four Seasons’. I am glad you are going to join me for an hour of exquisite music… a concerto for two violins and cello, a mandolin concerto, a song from his semi-opera Andromeda liberata , a cello sonata, a section from his Stabat Mater for solo voice and small ensemble, and because it has...

This first adventure with the guitar on Classical For Everyone features quite a bit of music from Spain.. probably the country that was most closely identified with the instrument until companies in America popularised the electric guitar. But as well as Spain there’s music from Austria-Hungary, Italy and Brazil with works by Albeniz, Mudarra, Haydn, Granados, Rodrigo, Scarlatti, Villa-Lobos and Falla. And here is a link to an extended playlist on Spotify with the full versions of most of ...

Sometimes music can just be for pleasure and if that is the composer and the performers’ intention, then good for them… and good for us listeners. If most music is created to make you ‘feel’… then some music can just be to make you feel good. And from time to time happiness can be in short supply… and if that is the case then I hope the music I am going to play you over the next hour can at least give you a smile. In service of that objective… in this episode will be music by Beethoven, Rossini,...

Much music has been inspired by love, passion or obsession… but only in a handful of cases has the person who was the inspiration… the muse… become publicly linked to a work. Here are the stories of six of them… Alma Schindler, Josephine Brunsvik, Kamila Stösslová, Peter Pears, Clara Wieck and Mathilde Wesendonck. And the music they inspired… by Gustav Mahler, Ludwig van Beethoven, Leos Janacek, Benjamin Britten, Johannes Brahms and Richard Wagner. And here is a link to an extended playlis...

A percussion instrument is pretty much anything that can be hit, tapped, scraped, scratched or banged. In an orchestra it is generally the responsibility of the individual or small group up the back… the ones who get to make the most noise and have to master the most instruments and who, in this episode, help give us armies fighting on an ice covered lake, a peasant girl dancing herself to death, big gates, small rocks and a visit to The Overlook Hotel… with works from the composers Prokofiev, S...

If you’ve ever been puzzled why once you scratch the surface of classical music the name Johann Sebastian Bach seems to just keep turning up… this episode might offer some clues… beyond the fact that the music is pretty good. With the assistance of The English Concert, Maurizio Pollini, John Eliot Gardiner, Wolfgang Rübsam, Masaaki Suzuki, Glenn Gould, Itzhak Perlman, Christophe Rousset, Helena Rathbone & Richard Tognetti. And here is a link to an extended playlist on Spotify with the full...

Amongst all the instruments in the modern string family… violins, violas, cellos and double basses… it is the cello that most closely approximates the range of the human voice… from the lowest bass to the highest soprano and that may be one reason why it seems especially popular. Music from Josef Haydn, Ludwig van Beethoven, Edward Elgar, Sergei Prokofiev, Samuel Barber, Dmitri Shostakovich; and, to finish, something for solo cello by Johann Sebastian Bach. Complete Works Playlist: The ...

This episode of Classical For Everyone includes musicians slowly leaving the stage… lovers separated by the call of duty…  music for beginning a journey…  and music for a sad and very final farewell. A section of a symphony by Josef...

This episode is all music written by people who have the particular distinction of still breathing. I think it’s important to say that nowhere near all classical music is written by dead men from Vienna. One of the unintended consequences of a whole...

There’s a string quartet written by the American composer Morton Feldman in the 1980s that is about 6 hours long. ‘Einstein on the Beach’, the opera by Phillip Glass and Robert Wilson, is about five hours long and is performed without an...

This episode of Classical For Everyone is all about Night.. music that evokes the night… that captures the different moods of nighttime, and music written to be performed at night. Night in the Gardens of Spain, Moonlight over the Suffolk Coast,...

Maybe the place to start... An eight-minute overview of the podcast including some unfairly brief excerpts from music by Ludwig van Beethoven, Dmitri Shostakovich, Johann Sebastian Bach, John Adams, Wolfgang Amadeus Mozart, George Gershwin and Ross...

If you're exploring classical music, you'll bump into the term 'sonata' everywhere - piano sonatas, violin sonatas, trio sonatas… even sonata-form. This mini-episode untangles the many meanings of this surprisingly variable word, from its simple origins in Italian to its complex modern uses. And suggests perhaps why composers keep using it when they want you to really listen.